Vivan Sundaram: history project : a site-specific installation, Victoria Memorial, Calcutta, 1998 By: Sundaram, Vivan. Sundaram, a pioneer both of installations and of avant garde art in India, is at his most chilling when he speaks to human suffering. Take “Collaboration Combines” (1992; … Vivan Sundaram by Nandakumar for Doordarshan. ‘Vivan Sundaram’: One World Art/The Right to Hope TV series by Iikka Vehkalahti. Vivan Sundaram Just as site specific installations take from architecture the plan and structure of objects in space, theatre is present within installation practice as a performative mis-enscène. Contemporary Conceptualism. Contemporary Asian Art. If until recently, he was able to extend that legacy to become the only Indian artist to consistently provide a political record for his times, to adhere to an art committed to moving society in a socialist direction without reducing the complexity of the issues/languages at stake, then that too was from a grand tradtion: committed, as it was, also to the idea of the work of art.’ With artist biography. The Kiran Nadar Museum of Art presents VIVAN SUNDARAM ... spatiality of installation art. University of Baroda and Slade School of Art, London. Tradition and Transformation: Chicana/o Art from the 1970s through the 1990s, Shifra Goldman University of Washington Press, 2015. Art Vivan Sundaram has already conceptualised his installation for the upcoming Kochi Muziris Biennale. Vivan Sundaram lives in Delhi. According to Ashish Rajadhyaksha, ‘As recently as three years ago, Vivan Sundaram was described by a colleague as firmly implanted in an oil-painting tradition “inherited from the grandest years of European Figurative painting”. The veteran artist gives an insight into the inspiration and influences behind it. Vivan Sundaram was born in 1943. Curatorial and organizational work. As a person, Sundaram has become quite reserved over the years. The veteran artist gives an insight into the inspiration and influences behind it. Memorial: An Installation with Photographs and Sculpture 1993, AIFACS Galleries (New Delhi - India), Sakshi Gallery (Mumbai - India), Project Space Tate Modern (London - UK) and Khoj International Artists' Association (New Delhi - India). ), The Migrant’s Time: Rethinking Art … His latest show, “GAGAWAKA: Making Strange” at Lalit Kala Akademi in Delhi, argues Sundaram’s case with forty-five elaborate “wearable sculptures” made in collaboration with designer Pratima Pandey. An art exhibition organised by the Safdar Hashmi Memorial Trust in New Delhi as part of its programme `Ways of Resistance', comes as a timely response to events and developments in contemporary In Vivan Sundaram, painter, sculptor, installator is a key figure in a group of contemporary artists, who have, over the last decade, moved away from the enterprise of easel painting. Tucked in the narrow serpentine lanes of Delhi’s Aya Nagar, Wednesday evening saw a host of popular names from the art world — Subodh Gupta, Bharti … Sundaram reconfigured the photographs and recast the family in new roles, retelling family history. (Co-edited with Kavita Singh), No Touching, No Spitting, No Praying: The Museum in South Asia. Contemporary Indian Art. Kapur and Sundaram's archive thus encompasses multiple facets of the art field, from writing and curating to art-making and archiving. 1400 postcard-sized photographs in metal frames in a circular floor installation, 300cm diameter x 30 cm height. He was among the first Indian artists to work with installation. One of the first Indian artists to work with installations, Vivan Sundaram is globally renowned for his prolific art practice, spanning multimedia formats and poignant themes of social perception, memory, and history. Featured in the catalogue are installations dealing with the metaphor of death, created by Vivan Sundaram in 1993. The retrospective careens through different shifts in Sundaram’s art practice and his explorative approaches. Articles Featuring Vivan Sundaram. Vivan Sundaram, 'Miniature Monument with Two White Graves', from Memorial, 1993, mixed media installation, courtesy of the artist, photo by Gireesh GV In a published exchange, titled ‘Proposition Avant-Garde: A View from the South’ for the online (ed. His aunt, the late Amrita Sher-Gil, left a legacy that inclined him towards art. Memorial 1993–2014 is a room-size installation by Vivan Sundaram that comprises a number of smaller parts that are individually titled.The work was created in response to violent conflict between Hindu and Muslim groups in Bombay (now Mumbai) in the early 1990s. This book is an intensive reconsideration of the very first site-specific installation staged in India. According to Ashish Rajadhyaksha, ‘As recently as three years ago, Vivan Sundaram was described by a colleague as firmly implanted in an oil-painting tradition “inherited from the grandest years of European Figurative painting”. After graduating from the MS University, Baroda in 1965, Sundaram held a Commonwealth Fellowship for study at the Slade School, London between 1966-68, becoming politically active as a student and remaining so afterwards. [6] [7], at Culturebase, International Artists' Database, https://en.wikipedia.org/w/index.php?title=Vivan_Sundaram&oldid=989378281, Indian people of Hungarian-Jewish descent, Maharaja Sayajirao University of Baroda alumni, All Wikipedia articles written in Indian English, Articles with unsourced statements from December 2011, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 18 November 2020, at 17:17. A mammoth ship-shaped structure, decorated in hues of red, yellow and blue, awaited visitors at the studio of renowned contemporary artist Vivan Sundaram. 2007 Vivan Sundaram (b. Related Categories. Publisher: New Delhi Tulika Books 2017 Description: 309p. Sundaram produced a series of works based on a newspaper photograph of a dead body. Sundaram, a pioneer both of installations and of avant garde art in India, is at his most chilling when he speaks to human suffering. Hong Kong via Asia Art Archive’s Chantal Wong . Chapter 2 of book on the photographic projects of Vivan Sundaram, to be published by Tulika, New Delhi. 1943, Shimla / India), based in New Delhi, makes paintings and large-scale conceptual installations. He returned to India in 1970 and continued painting. [citation needed] His works in the 1980s showed a tendency towards figurative representations, and dealt with problems of identity. Quite unlike any other study on the art of modern and contemporary South Asia, A Fragile Inheritance is a deeply informative work that stresses the intellectual We use cookies to enhance your experience on our website.By continuing to use our website, you are agreeing to our use of cookies. Vivan is a key figure in Indian contemporary art who has moved away from the enterprise of easel painting into the realm of versatile mediums over … His works in the 1980s showed a tendency towards figurative representations, and dealt with problems of identity. Featured in the catalogue are installations dealing with the metaphor of death, created by Vivan Sundaram in 1993. ISBN: 9789382381945. The positioning of sculptural forms, the presence of the (spectator’s) body within an immersive ambience; these and many other attributes make installation art and theatre twinned genres. Vivan Sundaram Just as site specific installations take from architecture the plan and structure of objects in space, theatre is present within installation practice as a performative mis-enscène. His works constantly refer to social problems, popular culture, problems of perception, memory and history. 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